One last video from old footage I found. Here’s Wren leading 70b Save Mighty Lord from the 1991 Denson edition of The Sacred Harp, at the 5th annual Palo Alto All Day Singing, August 26, 2017. Temps were well above 90 in the room, so you’ll hear some fan noise. You’ll also get to hear some of Steve Helwig’s trademark humor (if you didn’t know Steve, he’s the one on the front tenor bench who’s pitching).
This would have been the weekend of the annual Palo Alto All Day singing. We decided to hold a two hour online version yesterday, with two times for socializing in breakout rooms (do we call those recesses? or what?). The best part for me was the chance to talk with singers I haven’t seen for too many months.
Terry M. kept minutes (if you can keep minutes for an online singing). Here they are:
Jeannette Ralston 46; Dan Harper 38b; Marci Cutler 65; Leigh Cooper 189; Ginny Landgraf 378b; Peter Ross 122; Julia Smith 159; Kate Fine 187; Esther ? 214; Constance Bone 261t (CH); Erin Fulton 172; Ann Riley 383; James Solheim 318; Clarissa Fetrow 154; Pat Coghlan 272; Aisha Morgan 495; Marci Cutler 140b (ShH); Jeannette Ralston 264b (ShH); Jenny Solheim 421; Don Fasolaman 77b; Ginny Landgraf 254 (ShH); Melissa Stevenson 179; Sue Lindner 216; Bonnie Stimler 384; Bonnie Stimler 454; ? ? 521; Memorial lesson; Dan Harper 347.
I was too busy as the kitchen committee at the Palo Alto All Day yesterday to take any photos or videos. Suffice it to say it was yet again a lovely singing — my favorite Sacred Harp event of the whole year, both for the quality of the singing and the quality of the friendships. And the Marian Bush singing the next day (today) caps off the weekend nicely. It was smaller, but the singing was good. And socially, I prefer small singings because you actually have time to talk with everyone.
Inder leading 312b Restoration at the Palo Alto All Day singing. It was well over ninety degrees at this point in the day, but what struck me is how much fun everyone is having.
A good singing again this year in Palo Alto. We had more than 50 singers, and nearly all of them came from northern California. I’ve decided that this singing best captures the sound of Bay Area singing, because it’s mostly just us — people we’ve been singing with and whose voices we know well. I realized that I’ve come to think of this as my home singing.
It got really hot today. The temperature in the singing room was up over 95 degrees, and we actually had to end a little early because it was so hot. This was the view from the back bench of the basses:
Mark leading 564 Zion from the 1991 Denson edition of The Sacred Harp, at the 5th annual Palo Alto All Day Singing, August 27, 2016.
155 Northfield from the 1991 Denson edition of The Sacred Harp, at the 5th annual Palo Alto All Day Singing, August 27, 2016.
Arnold Z. leading 229 Rainbow from the 1991 Denson edition of The Sacred Harp, at the 5th annual Palo Alto All Day Singing, August 27, 2016. The class had a very strong bass bench.
Caroline Bonnet leading no. 324 from The Sacred Harp (1991 Denson edition), at the 2013 Palo Alto All-Day Singing. When Caroline brings ’em for that last chorus, the class gives her their best singing yet.
In memory of Caroline Bonnet, who March 8, 2015. Caroline was a fine singer, and a tireless advocate for Sacred Harp singing in the North Bay who helped found the Healdsburg monthly singing, and start the Ziegler Memorial Singing.
(Background info: I found some unprocessed video footage from the 2013 Palo Alto All-Day Singing that I had abandoned because the audio was inadequate. However, recently I found I was able to adjust the audio of some of the footage so that it sounds reasonably good, and fortunately this footage of Caroline was in that category.)
Above is Linda leading mid-morning. In a week, she’s leaving for Evanston, Ill., for graduate study. She will leave a big hole in the Bay Area Sacred Harp community, both musically and personally. Linda started singing Sacred Harp with the now-defunct East Bay monthly singing, more than a decade ago.
Here’s Julian, our arranging committee, leading just before lunch. At least one person in this photo began singing Sacred Harp in Palo Alto in the early 1970s — can you figure out who it is?
Janet leading — or, as I like to call her, Dr. Janet, since she wrote her Ph.D. dissertation on California Sacred Harp singing. Behind her is perhaps the best alto bench of the whole day.
What we really go to singings for….
…dinner-on-the-grounds. The weather was absolutely perfect. Last week we had triple-digit temperatures and lots of air pollution, but today was about 80 degrees with a cool fresh breeze from the north.
After the singing, we went to the Saturday night social in Sue’s garden. Carol and I left at quarter past seven and they were still going strong. Some of the best singing of the day started at about six thirty, when Sue, Terry, Jeannette, Phil, Carol, Jeff, and I sat around in Sue’s music room to run through a few tunes that didn’t get sung during the all-day singing.
Why was it some of the best singing of the day? Five of us have sung together on a regular basis for a number of years, and know each other’s voices and know how we like to sing various tunes (and the other two singers were willing to fit into the way we sang), so we could just sing. There’s something about singing with people you know well — you not only sing together, you breathe together and sing as if you’re one organism. I’ve experienced this at one or two small Southern singings, but here in the Bay Area I think we’re too much of a transient population to have singing like that develop at an all-day singing; in the years it would take to know one another at that level through an all-day singing, half the singers have moved away. So instead we get little moments of such singing, as happened tonight when a few of us who knew each other’s voices well happened to be in the same room at the same time.
None of this is meant to put down the Palo Alto All-day Singing. It was a really good singing. Right after lunch, I counted fifty singers in the room at the same time, and I think we had about 60 singers total throughout the day. That’s a nice sized singing: big enough that you’re supported by your section, but small enough that you can actually hear everyone in the room. I really liked the fact that this singing felt like a family affair, with ten different children from four different families, and several of the children sang with us, or even led tunes. And of course the food was fantastic.
As much as I like singing in small groups, like at tonight’s social, I’m also an advocate for starting more all-day singings in the Bay Area. Right now, we have four regular all-day singings — the Ziegler Memorial on New Year’s Day, the Golden Gate in April, the Santa Cruz singing in July, and the Palo Alto singing in August. The Golden Gate is our big all-day singing, with over a hundred people and lots of out-of-town singers; the rest of our singings draw 40-60 singers, most of whom live in northern California.
Now I’m trying to convince the singers in the Central Valley that they should start an all-day singing. Let’s face it, what we all like best is singing at the all-day singings and conventions; this is what energizes us, and keeps us connected with the core of the Sacred Harp tradition. If you can’t travel to all-day singings in other parts of the country — and many of us can’t for one reason or another — what you need are more all-day singings near where you live.