ABout halfway through tonight’s weekly Monday singing in Berkeley, a couple of first-time Sacred Harp singers walked in, and sat in the tenor section. They were friends with Susan, who made sure they sat next to an experienced singer; this is all the way it should be.
Now the Berkeley singing tends to sing tunes at a good fast clip, and tonight was no exception. However, when new singers show up, I think it’s nice to lead one or two tunes at a more moderate tempo, out of politeness to those new signers who are sight-singing nearly every tune for the first time, an exercise which can be tiring.
So I started in to lead a tune at a fairly slow tempo — well, slow by Berkeley standards; I figure I was leading a 4/4 tune at a slow moderato, maybe 84-88 beats per minute. The class kept pushing the tempo, however, so that by the time we had finished singing the shapes we were singing at a fast moderato, say 100-108 beats per minute. I reminded the class to watch my tempo, and we started off singing the words at a slow moderato, but by the end of the tune had sped up about the same amount again.
I ahve experienced this before, and I have watched as better, more experienced leaders than I have had their tempo speeded up or slowed down by the class. Ask any Sacred Harp singer, and they will tell you that whoever is leading is in charge, and that the class always follows the leader — but I think we’re fooling ourselves when we say that, because it’s not entirely true. Local custom can be a stronger force than even the most experienced leader.