Golden Gate: 212 Sharon

Gretchen leading no. 212 Sharon from The Sacred Harp (1991 Denson edition), at the eighth annual Golden Gate All-day Singing, 22 April 2012, held at the Potrero Hills Neighborhood House in San Francisco, Calif. and sponsored by Bay Area Sacred Harp.

Gretchen is another long-time singer. If I remember correctly, she was introduced to shape note music during the 1960s, with the Christian Harmony in North Carolina. I’d guess she began singing shape note music before anyone else at this year’s Golden Gate.

N.B.: This is the last video I made at this year’s Golden Gate.

Golden Gate 2012: 183 Greenwich

Paul leading no. 183 Greenwich from The Sacred Harp (1991 Denson edition), at the eighth annual Golden Gate All-day Singing, 22 April 2012, held at the Potrero Hills Neighborhood House in San Francisco, Calif. and sponsored by Bay Area Sacred Harp.

Friendliness and a sense of humor are never out of place when leading a tune. N.B.: Paul has been singing Sacred Harp in the Bay area since the 1970s.

Golden Gate 2012: 474 Mount Desert

Susan leading no. 474 Mount Desert from The Sacred Harp (1991 Denson edition), at the eighth annual Golden Gate All-day Singing, 22 April 2012, held at the Potrero Hills Neighborhood House in San Francisco, Calif. and sponsored by Bay Area Sacred Harp.

Susan doesn’t just bring each section in, she warmly invites them to begin singing. (But I can’t be envious, because she’s a music teacher and of course she’s going to be better at leading tunes than the rest of us.)

Golden Gate 2012: 549 Phillips Farewell

Will leading no. 549 Phillips Farewell from The Sacred Harp (1991 Denson edition), at the eighth annual Golden Gate All-day Singing, 22 April 2012, held at the Potrero Hills Neighborhood House in San Francisco, Calif. and sponsored by Bay Area Sacred Harp.

Will is wonderful leader. Not only does he have a fine tenor voice, not only does he communicate well with the class, but he always seems warm and welcoming.

It’s a little hard to hear it, but here’s what he says at the beginning of this video:

I want to say that the Golden Gate singing was the first, practically the first convention I ever sang at, and I’m just so glad to see friends from long long ago. And I especially remember Linda, so this is the anniversary of our meeting.

Golden Gate 2012: 377 Eternal Praise

Terry leading no. 377 Eternal Praise from The Sacred Harp (1991 Denson edition), at the eighth annual Golden Gate All-day Singing, 22 April 2012, held at the Potrero Hills Neighborhood House in San Francisco, Calif. and sponsored by Bay Area Sacred Harp.

I always like Terry’s thoughtful tune choices, and her quiet way of leading, especially the way she brings in all the parts on fuguing tunes.

Golden Gate 2012: 312b Restoration

Shani and James leading no. 312b Restoration from The Sacred Harp (1991 Denson edition), at the eighth annual Golden Gate All-day Singing, 22 April 2012, held at the Potrero Hills Neighborhood House in San Francisco, Calif. and sponsored by Bay Area Sacred Harp.

I like watching more experienced singers help newer singers lead songs, especially when (as in this video) the more experienced singer makes it look like both of them are experienced singers.

New Sixth

I asked the indulgence of tonight’s class, and they let me present a new tune. The class gave it an extraordinarily good reading; as I was leading the tune, I was torn between the desire to just stand there and listen, and the desire to add my voice to the rest. Feedback was quite positive afterwards; several singers said they liked the tune.

New Sixth. L.M.

It’s worth adding that most of the singers raised the sixth, which was what I had thought would sound best. It’s also worth noting that the title refers to the fact that the poetry is a metrical paraphrase of the sixth psalm.

Nearly perfect

Tonight’s weekly practice singing was nearly perfect:

— We had had a very good all-day singing the day before, and an excellent singing school the day before that, and you could see and hear the quantum leap in leading skills.

– There were only 21 of us, a significantly smaller number of people than we’ve been having recently, but we sounded bigger and warmer and richer (maybe less strident?) than we have in the past several weeks.

— You could tell that the singers were listening to each other; the singing was tuneful and harmonious, and the different sections were communicating with one another.

— Everyone was very supportive of everyone else, and there was no sense of competitiveness; you never had that sense that someone was going to disapprove of you or scold you, and you never had the sense that anyone was trying to show off or sound better than everyone else.

It’s hard to describe this without sounding trite: I felt a sense of joy, a sense of warmth and connectedness with fellow human beings, a sense of being a part of something larger than myself. Perhaps one could use an old-fashioned way of speaking, and say that we were singing for God and not for ourselves; or (if that’s not your theology) one could say that we were singing for something larger and better than our individual selves.

Golden Gate 2012: 215 New Topia

Linda leading no. 400 Sardis from The Sacred Harp (1991 Denson edition), at the eighth annual Golden Gate All-day Singing, 22 April 2012, held at the Potrero Hills Neighborhood House in San Francisco, Calif. and sponsored by Bay Area Sacred Harp.

It’s always a pleasure when Linda leads because she keeps absolutely rock-solid time, as if she has an internal metronome.

Golden Gate 2012: Sardis

Hal leading no. 400 Sardis from The Sacred Harp (1991 Denson edition), at the eighth annual Golden Gate All-day Singing, 22 April 2012, held at the Potrero Hills Neighborhood House in San Francisco, Calif.

What I like about this is the way Hal beats time so clearly, and communicates so clearly with the class; everyone knows exactly what’s going on.